![]() This probing discussion gives a subtext to the listening experience that can't be overestimated. Cobb's essay also frankly discusses the implications of Casey and Finch, two Caucasian men, making such an impact in disco, and the feelings from some quarters that they had somehow co-opted black music. ![]() Of course, that unbridled freedom was a major part of the disco identity at its roots, and few groups expressed personal liberation with more vitality than KC and the Sunshine Band. Matthew Cobb (who supplies the essays for all three titles reviewed here), Harry Wayne Casey reveals "Shake, Shake, Shake" as an ode to self-empowerment and to fearlessness of doing your own thing. In the fine and detailed liner notes from J. 1 Pop and R&B hit, this new reissue proves the album is an upbeat delight from start to finish. After 1974's unsuccessful Do It Good, Casey and Finch reinvented their group with a self-titled album in 1975 that asked listeners to "Get Down Tonight." That was clearly the way listeners liked it (uh huh, uh huh), so Part 3, too, was all about the groove - and how it makes you move! With simplicity and clarity, KC and the Sunshine Band invited listeners to "(Shake, Shake, Shake) Your Booty." And though the other seven selections on the album would inevitably fall in the shadow of that No. Instead, Part 3 continued the style the group of musicians had already established. As the title made explicit, the album wasn't an attempt to redefine or expand the band's sound. ![]() KC and the Sunshine Band's 1976 long-player was simply and efficiently titled Part 3 (CDBBR 0817). All three of BBR's expanded editions will transport you to those heady days when the dance underground became the pop mainstream. Big Break Records has recently reissued one title recorded by those disco titans, one title produced by them, and one with another connection to the genre. Our hearts go out to the alleged victims and their families.The Temptations had sunshine on a rainy day, John Denver had it on his shoulders, and the O'Jays took their cue from an old standard to address a loved one as "my sunshine." But Harry Wayne Casey and Richard Finch, forming Miami's KC and the Sunshine Band, had sunshine both in the band name and in the joyful, exultant brand of music they played. "Those legal issues associated with this case will be dealt with via the judicial system of the state of Ohio. Finch have nothing to do with me nor with KC & The Sunshine Band," Casey said in a statement. However, singles from the band's first album, "Do It Good," were released in 1973 and feature Finch. He left the band in 1980.Ĭasey disputed that Finch co-founded the band, saying that he started it in 1973 and Finch joined a year later. The sheriff's office said detectives continue to interview people and that a grand jury will consider additional charges later.įinch played bass and drums with KC & the Sunshine Band, known for hits such as "That's the Way (I Like It)," "Get Down Tonight" and "I'm Your Boogie Man," and co-wrote many of the band's biggest hits with Harry Wayne "KC" Casey. ![]() Finch will be vindicated from these unfounded allegations." ![]() We will let due process happen through the legal system and through that, we are sure Mr. "We appreciate your contact, but at this time, we have no comment. The sheriff's office statement lists the offense as gross sexual imposition, a felony. Investigators said they arrested Finch this week. The teenager said he had sexual contact with Richard Finch at Finch's house in Newark, Ohio, the Licking County Sheriff's Office said in a statement.ĭuring an interview with detectives, Finch "disclosed that he did in fact have sexual contact with the juvenile, along with multiple other male teenage juveniles as well ranging from ages 13 to 17," the office said in a statement Wednesday. (CNN) - A member of the 1970s pop music group KC & the Sunshine Band has been arrested after a 17-year-old boy said he had sexual contact with the musician, authorities said. ![]()
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